This is a painting by George de la Tour called “Penitent Magdalene.” This beautiful 52 1/2 x 40 1/4 in size painting created around the year 1640 with oil on canvas. This is a one version of the same subject done by George de la tour, and also known as the “Magdalen with Two Flames.” Subject of this painting is Mary Magdalene; a biblical figure who witness crucifixion and resurrection of Jesus Christ. La Tour’s well executed chiaroscuro technique brings dramatic emotional and realistic look to the painting. He also used symbolism to represent the subject and her story. The skull on her lap represents the mortality. Her spiritual enlightenment is shown by the candle. Mirror represents the vanity. Magdalene’s clothes, pearl earrings, jewelries and frame of the mirror indicates that she’s a women of means. Mary Magdalene sits by the small desk facing the mirror, but gazing far beyond it. Her posture shows that she’s in a chain of deep thoughts. Viewer cannot clearly see her face to understand the expressions and mood. Which is leaving the viewer to imagine Mart Magdalene’s expression and feelings. Primary light source, the candle, casts the geometrically correct shadows on background and foreground. One can almost see the movement of the candle light and can feel the texture of the fabric, the metal mirror frame, the skull and her jewelry. His composition skills shown by this natural and photo like big painting. This painting has the most of baroque style characteristics such as high contrast, intense light and shadow, and, extreme emotions.
Wednesday, April 5, 2017
Renaissance & Baroque Art - Assignment 03
This is a painting by George de la Tour called “Penitent Magdalene.” This beautiful 52 1/2 x 40 1/4 in size painting created around the year 1640 with oil on canvas. This is a one version of the same subject done by George de la tour, and also known as the “Magdalen with Two Flames.” Subject of this painting is Mary Magdalene; a biblical figure who witness crucifixion and resurrection of Jesus Christ. La Tour’s well executed chiaroscuro technique brings dramatic emotional and realistic look to the painting. He also used symbolism to represent the subject and her story. The skull on her lap represents the mortality. Her spiritual enlightenment is shown by the candle. Mirror represents the vanity. Magdalene’s clothes, pearl earrings, jewelries and frame of the mirror indicates that she’s a women of means. Mary Magdalene sits by the small desk facing the mirror, but gazing far beyond it. Her posture shows that she’s in a chain of deep thoughts. Viewer cannot clearly see her face to understand the expressions and mood. Which is leaving the viewer to imagine Mart Magdalene’s expression and feelings. Primary light source, the candle, casts the geometrically correct shadows on background and foreground. One can almost see the movement of the candle light and can feel the texture of the fabric, the metal mirror frame, the skull and her jewelry. His composition skills shown by this natural and photo like big painting. This painting has the most of baroque style characteristics such as high contrast, intense light and shadow, and, extreme emotions.
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